Friday, January 20, 2012
Blog Post 2
The character that interested me the most this week was Elena. In class we talked about how the plot
of a story is driven by a character’s need, desire, or goal to satisfy a
personal or external conflict. Elena’s conflict is a person one in that she
doesn’t feel there’s anything special or significant about her life or life in
general. She’s troubled by her perception that everyone around her views the
human existence as something significant; something more than a set of
predetermined algorithms. These algorithms that Elena perceives are specifically
in reference to the particular, ‘proper/expected’ ways people communicate with
each other. For example, when someone asks how you’re doing, it’s normal to
give a response along the lines of “I’m doing well,” even if it isn’t true. In
other words, the question doesn’t inquire about a person’s condition, so much
as it is an acknowledgement of their presence. Communication like this, which
is socially and culturally ingrained, creates a conflict for Elena because she
doesn’t see it as real/sincere. When combined with depression (referencing the
passing of her infant daughter, Aimee) Elena takes this notion of insincerity a
step farther by viewing all communication as artificial just like her dolls;
resulting to point where she believes she can predict what people are going to
say before they even say it. What she doesn’t realize is that her depressing
mental state (and it’s affect on herself and others) is the reason why she can predict
people’s responses. Nonetheless, he attempts to fill her void by making a doll
exactly like her daughter. Unfortunately, she doesn’t see that a machine will
never be able to replace her daughter because a machine isn’t as complex as a
human. Elena has fallen so far into this state of depression-rooted insanity
that she isn’t able to acknowledge this difference; she can’t see past her
perception of human beings as biological ‘machines’ whose existences are
constructed by a set of predetermined algorithms. As a result, the resolution
is left unknown to the reader, though suicide is possible and fair speculation.
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Good. I think it's interesting that you point at the difference between Elena's perceptions and everyone else's: everyone else values "humanity" so Elena gets distressed when she can't access that experience. I'm not sure I'd ever really thought about Elena's expectations about what humans should be like as generated by those around her, but I take your point. Interesting!
ReplyDeleteIf you want, you can still do the first blog post for credit. No one was late on that one--which means you still have time!