Friday, January 20, 2012

Blog Post 2

The character that interested me the most this week was Elena.  In class we talked about how the plot of a story is driven by a character’s need, desire, or goal to satisfy a personal or external conflict. Elena’s conflict is a person one in that she doesn’t feel there’s anything special or significant about her life or life in general. She’s troubled by her perception that everyone around her views the human existence as something significant; something more than a set of predetermined algorithms. These algorithms that Elena perceives are specifically in reference to the particular, ‘proper/expected’ ways people communicate with each other. For example, when someone asks how you’re doing, it’s normal to give a response along the lines of “I’m doing well,” even if it isn’t true. In other words, the question doesn’t inquire about a person’s condition, so much as it is an acknowledgement of their presence. Communication like this, which is socially and culturally ingrained, creates a conflict for Elena because she doesn’t see it as real/sincere. When combined with depression (referencing the passing of her infant daughter, Aimee) Elena takes this notion of insincerity a step farther by viewing all communication as artificial just like her dolls; resulting to point where she believes she can predict what people are going to say before they even say it. What she doesn’t realize is that her depressing mental state (and it’s affect on herself and others) is the reason why she can predict people’s responses. Nonetheless, he attempts to fill her void by making a doll exactly like her daughter. Unfortunately, she doesn’t see that a machine will never be able to replace her daughter because a machine isn’t as complex as a human. Elena has fallen so far into this state of depression-rooted insanity that she isn’t able to acknowledge this difference; she can’t see past her perception of human beings as biological ‘machines’ whose existences are constructed by a set of predetermined algorithms. As a result, the resolution is left unknown to the reader, though suicide is possible and fair speculation.

1 comment:

  1. Good. I think it's interesting that you point at the difference between Elena's perceptions and everyone else's: everyone else values "humanity" so Elena gets distressed when she can't access that experience. I'm not sure I'd ever really thought about Elena's expectations about what humans should be like as generated by those around her, but I take your point. Interesting!

    If you want, you can still do the first blog post for credit. No one was late on that one--which means you still have time!

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